drunktankpink.studio

Phygital Mixed-Media Art

JIM'S RAIN

Genesis Series 1/1 | Acrylic on Silk & Canvas

90 x 70 x 4 cm | Christian | Bangkok, 2026

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The Story of "Jim’s Rain"

Inspired by the golden glow of the monsoon season at the historic Jim Thompson House in Bangkok, this piece captures the ephemeral beauty of a tropical downpour. Hand-crafted in my Bangkok studio, it merges traditional Thai silk with layered mixed-media techniques to evoke the rhythmic, liberating energy of falling rain. A physical tribute to the moment where nature’s intensity meets golden tranquility.

Provenance & Authentication

This original artwork is integrated with a permanently locked NFC chip. Scan the physical frame to verify its unique identity and immutable record on the BSV blockchain.
Status: On-Chain Verified (Scripthash)

Questions & Offers

KHLONG VIBES

Study for Jim’s Rain | Ballpoint ink on paper / Gold-framed cardboard

25 x 28 x 0.25 cm | Christian | Bangkok, 2026

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"Behind the silk and the gold of 'Jim’s Rain' lies the raw, structural chaos of Bangkok’s waterways. This study is a documentation of the industrial heart that beats beneath the shimmering surface."The Story
This ballpoint study, "Khlong Vibes," was created as a conceptual blueprint, capturing the relentless energy and intricate textures of the city’s canals. It serves as a structural foundation for the main series, focusing on the organic complexity of Bangkok's hidden waterways.The Phygital Connection
A permanently locked NFC chip on the reverse links this physical drawing to its immutable digital twin. Minted as a study to provide collectors with a deeper look into the creative process of drunktankpink.studio.

Provenance & Authentication

A permanently locked NFC chip on the reverse links this physical drawing to its immutable digital twin. Minted as a study to provide collectors with a deeper look into the creative process of drunktankpink.studio.

Questions & Offers

faces of truth

Global Reckoning Series | Tile-Print, Acrylic on Canvas

90 x 70 x 4 cm | Christian | Bangkok, 2026

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faces of truth

A Reckoning.
"Everyone seeks the truth until they find it in the trash. 'Faces of Truth' is my reckoning with a society that prefers hypocrisy over the raw, jagged reality."The Disposal Site
The foundation of Faces of Truth consists of a tile-print on top of layered acrylics on canvas covered in shredded trash bags. This is a deliberate affront to high-end aesthetics. It is here, among the refuse and the repressed, that the real truth lands as soon as it becomes inconvenient. It is discarded and disposed of so that the facade of hypocrisy can be maintained.The Intervention
Nothing here was applied with a gentle brush. The word “TRUTH” was ripped into the depth of the material. This is a physical destruction of the surface to expose the core. The resulting tatters, fringes, and scars are no accident—they are the outcome of an honest confrontation.The Faces
Three profiles lurking, hiding, and exposing one another. A testimony spanning from the Propädeutikum (Zürich) to the present day in Bangkok. They are the silent observers of a society that would rather live in the appearance of things than in their reality.The Settlement
This work is brittle, dry, and uncompromising. It needs no gloss to be powerful. By minting it on the blockchain, this reckoning becomes immutable. It is a digital proof of a physical truth that refuses to be forgotten in the trash.

Provenance & Authentication

This original artwork is integrated with a permanently locked NFC chip. Scan the physical frame to verify its unique identity and immutable record on the BSV blockchain.
Status: On-Chain Verified (Scripthash)

Questions & Offers

warheit

Global Reckoning Series | Tile-Print on Acrylic-Multilayer (black, white, red) on Canvas

60 x 40 x 4 cm | Christian | Bangkok, 2026

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WARHEIT (Global Reckoning Series #002)
“Warheit” is the physical deconstruction of the global reserve currency—a violent excavation of the reality hidden beneath the brittle shell of capital.The Concept
Based on an inverted, black-on-black 1-Dollar note, this piece is a radical transformation of the word "ONE" into a hand-sawn, jagged WAR. It exposes unity as a fundamental illusion, replaced by the permanent state of global conflict. The work reflects the paradoxical symbiosis between moral claims and monetary violence. It illustrates that destruction is not in contradiction with the system, but is actively enabled and financed by our collective "God-given" trust in the currency. The seal “IN GOD WE TRUST” becomes the architectural foundation of war: a blind faith that legitimizes the machinery of violence.The Material Process
The creation process mirrors an archaeological dig. Beneath the black print lie sedimentary layers of acrylic: Red (Energy/Sacrifice), White (Facade/Purity), and Black (Void/Finality). The central motif was carved out, causing the brittle layers to shatter uncontrollably. The frayed edges and hanging canvas fibers break with the digital perfection of the original design, forcing a confrontation with raw, violent matter.Phygitality & The Dual Light Effect
“Warheit” possesses a dual narrative that shifts with the light:The Day (Profit):
In natural light, a hand-scratched $ symbol is visible behind the text. It represents the cold, cynical reality of war as a business model—the WAR$ of the surface world.The Night (Truth):
In darkness, integrated UV-LEDs activate a fluorescent medium applied to the reverse side. While the financial symbol ($) vanishes into the shadows, the word WAR erupts in a toxic, plasma-like violet glow. When the money disappears, the wound remains.

Provenance & Authentication

This original artwork is integrated with a permanently locked NFC chip. Scan the physical frame to verify its unique identity and immutable record on the BSV blockchain.
Status: On-Chain Verified (Scripthash)
Minted on May 1st, 2026, under the Full Moon in Bangkok, Thailand.

splitter christ

Reverse Reckoning

Global Reckoning Series | Mixed media on canvas, multi-layered transparent industrial finish

70 x 90 x 4 cm | Christian | Bangkok, 2026

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Splitter Christ: Reverse Reckoning (Global Reckoning Series #003) is not a painting. It is a forensic record of systemic failure. Inspired by the cyclical nature of history and the terminal stage of modern economic structures, this work captures the precise moment a stagnant order begins to rupture. It is the physical manifestation of a "Reckoning" that is as much mathematical as it is moral.The Fracture
The central motif—the inverted cross—is a deep, visceral incision into the very fabric of the monetary system.Tearing the Crust: The dollar-tiles represent the hardened shell of an era defined by rent-seeking and artificial friction. The ruptures in the material document the violent pressure of transition—where utility finally shatters the monopolies of the past.Irreversible Entry: These are not mere marks; they are injuries to the substrate. They represent a technical and social disruption that cannot be undone.LIVE vs. EVIL: The Diagnostic Code
The neon-pink script serves as a lens to deconstruct the phases of systemic decay:The Illusion (LIVE): The surface promise of stability and growth through debt and extraction.The Revelation (EVIL): Viewed in reverse, it unmasks the moral corrosion of wealth that is captured rather than earned. It is the rot that precedes every historical collapse.Tactility and Residue
In contrast to the cold, mechanical precision of the ruptures, the neon marks were applied by hand. This is the human signature amidst the ruins—a direct, unmediated act of defiance against the sterile, bureaucratic layers of a failing administration.Conclusion
Splitter Christ is a diagnosis of an era trapped on a cross of its own making. By shattering the dollar-facade, the work archives the fragility of systems built on extraction. It is a call to recognize the repeating patterns of history and to embrace the scalable transparency of the future.Technical Specifications
Medium: Mixed Media (Tileprint, Acrylic, Neon Pigments, Industrial Glue) on Canvas.Origin: Created and cured in the urban heat of Bangkok

Provenance & Authentication

This original artwork is integrated with a permanently locked NFC chip. Scan the physical frame to verify its unique identity and immutable record on the BSV blockchain.
Status: On-Chain Verified (Scripthash)
Minted on May 17, 2026, under the New Moon in Bangkok, Thailand.